By Symons, Arthur, 1865-1945

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It amused him to denounce everything, certainly, which Baudelaire would have denounced; and, along with AUBREY BEARDSLEY some mere gaminerie, there was a very serious and adequate theory of art at the back of all his destructive criticisms. " All his art is in that phrase. And he attained, to the full, one certainly of his many desires, and that one, perhaps, of which he was most keenly or most continuously conscious: contemporary fame, the fame of a popular singer or a professional beauty, the fame of Yvette Guilbert or of C16o de M^rode.

And, unlike those other acceptable satirists of our day, w^ith whom satire exhausts itself in the rebuke of a drunkard leaning against a lamp-post, or a lady paying the wrong compliment in a drawing-room, he is the satirist of essential things ; it is always the soul, and not the body's discontent only, which cries out of these insatiable eyes, that have looked on all their lusts, and out of these bitter mouths, that have eaten the dust of all their sweetnesses, and out of these hands, that have laboured delicately for nothing, and out of these feet, that have run after vanities.

He asks for both. Both are to keep him alive. He AUBREY BEARDSLEY meets at Mentone someone who seems worse than himself, and who yet " Uves on and does things. " He reads S. " He clings to religion as to his friend, thinking that they may help him to keep himself in life. He trains himself to be gentle, to hope little, to attack the sources of health stealthily. " He is received into the Church, makes his first confession, makes his first communion. It seems to him that each is a new clutch upon the roots of the grasses.

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Aubrey Beardsley by Symons, Arthur, 1865-1945
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