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Same more Diaghilevian could be im- No wonder the young Diaghilev, The Wagnerites It 38); but even there the fantasy of these drawing anticipates by principal escort MacColl Juvenal, therefore rouses their moral indignation. Paris of the Russian Ballet, for nothing agined. rather humbug. corrupt characters with their white muffs has delighted him. teresting that this I this Their claim that they Beardsley had no feelings of moral indignation at called The The breath of left. support this classification.

Anyone who looks carefully at Beardsley 's best the current contemporary opinion. work will agree. A writer named M. was selected by John Lane to present the first But this was not who C. Marillier, collection of Beardsley 's work, ended his introduction with these patronizing words: "Poor Beardsley! " Such, in 1899, was the response of what Bernard Berenson used to the "art-hating Angry-Saxons" to the only English artist of his time call who had the slightest reputation or influence in Europe.

So it befell on a time when King Arthur was at London, there came a knight days for to get his hand. and told the king tidings that the how King Rience of North Wales number of had reared people, a great and were entered into the land, and burnt and slew the king's true liege people. If this shame unto mine It is truth, said be true, estate but that the knight, for said the king, let make I said Arthur, it were great he were mightily withstood. saw the host myself. a cry, that all Well, the lords, knights, and ^sss PLATE 5 How La houd Nursed Beale Sir Tristram It interesting is Darthur, with ris's to in Le Morte reminiscence of William Mor- its ornamental rich, already find style, a drawing which foreshadows the extreme severity of Beardsley's later style.

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Best of Aubrey Beardsley by Kenneth Clark, Baron Clark McKenzie, Visit Amazon's Aubrey
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