By Gilda Hernandez Sanchez

The Spanish colonization dramatically interrupted the independent improvement of historic Mesoamerican tradition. however, indigenous societies learnt to dwell with the conquest. It was once not just a time of obstacle, but additionally an awfully artistic period of time within which fabric tradition mirrored indigenous peoples' assorted responses and variations to the altering conditions. This paintings offers insights into the method of cultural continuity and alter within the indigenous global by way of concentrating on pottery expertise within the Nahua (Aztec) zone of imperative Mexico. The past due pre-colonial, early colonial and present-day features of this are explored so one can come to a renewed knowing of its long term improvement. with a contribution by means of Iliana Yunuen Caloca Rhi

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Extra resources for Ceramics and the Spanish Conquest: Response and Continuity of Indigenous Pottery Technology in Central Mexico

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2) The late colonial period, from 1640-50 to the independence in 1810, during which the indigenous peoples of central Mexico adopted new Spanish elements that more strongly affected their community organization and frameworks (Lockhart 1992:42). That time was marked with a recovery of the native population and the rising of mining production. Also the change of ruling dynasties in 14 introduction Spain, from the Habsburg to the Bourbon, were followed by administrative and commercial reforms at the colony, implemented between 1760 and 1780, with the purpose of tightening the colonial bond and extracting more surplus (Knight 2002:202-206).

Gosden 2006:437; Guarinello 2005:20; Keane 2006:199; Sofaer 2007:2; Tilley 2002:23). These thoughts have been the result of two influential works: Arjun Appadurai’s collection of papers The Social Life of Things (1986) and Alfred Gell’s Art and Agency (1998). The contributors to the Appadurai volume, at that time provocatively, looked at things as if they led social lives. By focusing on exchange and circulation, they explored the ways in which people find value in things, and things give value to social relations.

For example, an archeologist identifies changes in ceramics morphology while producers and users affirm that they are the same as in the past. Also, change and conservatism are viewed as polar oppositions, although examples of the material world show that there is often a continuum between both trends and it is not easy to find a division line. In addition, conservatism is habitually considered as lack of change, as a kind of static state. However, the conservative reproduction of culture is also a form of action, as Judith Farquhar (2006:154) argues in her analysis of food and eating cultures worldwide.

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Ceramics and the Spanish Conquest: Response and Continuity by Gilda Hernandez Sanchez
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