By Stephan Koja
Monet used to be a real magician of sunshine and of color. but it's not basically his portray that fascinates us, but additionally the attention-grabbing existence he led together with his kin and lots of associates. This e-book tells the story of an strange artist and his photographs. this is often one booklet within the sequence "Adventures in artwork" that is aimed toward the younger and the younger at center. It takes us on a voyage of discovery, exploring the realm of artwork and exhibiting us tips to examine photographs in a peaceful, light-hearted means. Aiming to open up the area of artwork to youngsters of every age far and wide, those books current recognized artists and their works in a fashion that are supposed to stimulate our personal creativity.
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Extra resources for Claude Monet - The Magician of Colour
True. When in any Finally, case. Monet He painted instead of working, received permission to create his he looked out over the water, Monet saw clouds he painted them again and again. The This Japanese is a Japanese bridge from a picture by the Japanese artist Hokusai Bridge onet not only bought exotic, lands to plant in his lily pond; he Japanese pictures often depicted bridges; served as inspiration for his own rare, and often expensive water also had a Japanese Monet decorated paintings. Monet his lilies wooden from faraway bridge built over it.
Is the top and which lily pond was was laying it out. Since is the we can bottom ? the focus of Monet's garden. They were He had it. his fascination pond, and none of the farmers' fears reflected among the willow branches. came And title, with the local farmers pond might poison when he their animals who might Their wives worried that the water would not be any good for washing laundry. The farmers thought the painter was strange and they could not understand the picture's figure out the puzzle.
100 Rouen Cathedral, 1894, G. Buhrle, Zurich 4 (65 x 92 cm). Path in Monet s Garden oil oil c. on canvas, 35 x 36 '/ 3/ 8 3/ x 28 4 in. (100 oil 1873, oil on canvas, Rouen Cathedral, 1894, Endpapers (back): Paris The Port ofLe Havre, Night Effect, 1873, oil on canvas, 23 5 / x 31 7 / in. (60 x 81 cm), 8 8 3/ oil Sun Waterloo Bridge, oil cm), on canvas, on canvas, 29 x 39 in /^(detail), 1903, '/ 2 in. 3 cm), National Gallery of Canada, Ottawa Back Cover: x 25 5 / 8 in. 3 cm), cm), on canvas, x73 1901-02, Fotostudio Otto, Vienna on canvas, x73 (detail), 4 in.
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