By Martin Kazmaier, Host P. Horst

This quantity offers six a long time of photos by means of the world over identified photographer Horst P. Horst, whose signature sort was once cast within the heady atmospheres of Berlin and Paris within the 1920's and 1930's. Horst's paintings contains cutting edge style images for trend, pictures of luminaries, and the estates of Europe's aristocracy for residence & Garden.strations, 161 in duotone.

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Horst: Sixty Years of Photography

This quantity offers six a long time of images by way of across the world identified photographer Horst P. Horst, whose signature variety was once cast within the heady atmospheres of Berlin and Paris within the 1920's and 1930's. Horst's paintings contains cutting edge model images for style, photographs of luminaries, and the estates of Europe's aristocracy for condominium & backyard.

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Asks the His Vb^w^ photos had nothing with the grotesque, doll-like publicity shots which Hollywood required. 26 Horst you are one of the most famous fashion photographers, 't/m Horst, P. ') Tyrolese accent. Fashion particular evening gown is he says, in a mixture of not his world. He can American and drawing-room often barely still who recall or flimsy day dress. Here, in particular, the law of saw himself the day. In the beginning, in Paris, he as a society portraitist. He professional models.

The girl in the itsy-bitsy bikini photographs were to be attractive knew why she hardly dared leave the locker room: without being suggestive. A thousand compromises: bathing fashions, but mannequins with towels over their heads, like mummies. Horst was friendly tion, and now forced to photograph through keyholes, a voyeur. Pictures were to look direct, like snapshots. But such photographs required even greater prepara- even more concentration, from the model as well as the photographer. Colour, mean- while, had come also into play.

Chairs. He coloured prints modelled by man- visited Baron Philippe de Rothschild, couldn't admire her enough. She devised the American painter Cy Twombly palazzo - entirely spontaneous images of an unconventional aimmaging through relaxed scenes, too: a young lord lifestyle. in his old There are one of the rooms the bric-a-brac in of his newly inherited property. These, then, were the best years worked almost exclusively for at Vogue. After the departure of Diana Vreeland he House and Garden. of a magazine like Vogue, not everything Horst is it, New York he manages He occasionally to still works still lifes, in Paris, too.

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Horst: Sixty Years of Photography by Martin Kazmaier, Host P. Horst
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